Fajardo-Hill has written and published extensively on modern and contemporary Latin American art. She is editor of the upcoming book Remains Tomorrow: Themes in Contemporary Latin American Abstraction, on post 90s abstraction in Latin America, Hatje Cantz, 2022 and co-editor of a book on 20th and 21th – century art Guatemalan art, an initiative of Arte GT 20/21, Guatemala. She is working on the book Between Embodiments and Weaving in Future Perfect: Decolonial Art History in Latin American and Latinx Art in the 20th and 21st Centuries focusing on gender, indigeneity, African heritage, and popular culture. This section includes articles and essays in books, catalogues, and magazines, monographic studies, and interviews.

Fajardo-Hill ha escrito y publicado extensamente sobre arte moderno y contemporáneo latinoamericano. Es editora del próximo libro Remains Tomorrow: Themes in Contemporary Latin American Abstraction, sobre la abstracción post 90 en América Latina, Hatje Cantz, 2022 y coeditora de un libro sobre arte guatemalteco de los siglos XX y XXI, una iniciativa de Arte GT 20/21, Guatemala. Está trabajando en el libro Entre encuerpamiento y tejido en Futuro Anterior: Historia del arte decolonial en América Latina y el arte latinx en los siglos XX y XXI, centrado en el género, la indigeneidad, la herencia africana y la cultura popular. Esta sección incluye artículos y ensayos en libros, catálogos y revistas, estudios monográficos y entrevistas

Image Caption Home Writings: Detail of Gabriel de la Mora, Pomona 36 II D, 2014, and detail of cover Monochrome Undone. Editorial RM, 2015. Photo Patrick Miller and Joanne Kim. Sammy Sayago Collection.